![]() There are other days it’s delightfully ridiculous. ![]() (2) Ru Ying Sui Xing - What to say about a song that starts off sounding a bit like Ofra Haza, but ends up with a Hmong choir singing “Ode to Joy” with an annoyingly bombastic 80s type beat? There are some days I can’t really listen to this. This is certainly the standout single of the album. It’s triumphant and I don’t need to know what she’s singing about. Worst thing for me is the excessively heavy beat, but it doesn’t ruin the song for me by any means. Layers of rhythmic complexity I missed first time around. Vocal technique reminds me of a more subdued Mauritanian singing or something. The poor production choices (especially the dated big thwacking electronic beats) are balanced out by the many other brilliant studio touches. Tarab? Interruptions, the better to cast a spell. ![]() Lots of stop and start, shift, change of pace. These are my notes from her latest album:įirst off: Sa Dingding has an amazing voice and amazing vocal technique.
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